视频：布魯赫:八首為單簧管、中提琴及鋼琴所作的三重奏Op.83(No.1~ 4)
TAGS： 古典音樂
视频介绍： 布魯赫:八首為單簧管、中提琴及鋼琴所作的三重奏Op.83(No.1~ 4) Bruch : Trio 8 Pieces for Clarinet、 Viola and Piano Op.83(No.1~ 4) Clarinet: Daniel Radu Viola : Georgiana Nae Piano: Cristina Ionescu Description : Bruch was over 70 when he wrote these pieces; their autumnal nature isn't surprising, given the composer's age and the fact that his form of Romanticism was being displaced by more innovative techniques. Each of these items is a character piece, although they carry no titles more descriptive than tempo indications. All but the seventh are in minor keys, and are designed to draw the mellowest sound possible from the instruments. The set is framed by quiet pieces. No. 1 is an A minor Andante. Its tentative main theme is introduced by the piano, which then recedes to an accompanimental role while the Schumannesque melody is played in turn by the viola and clarinet. Although the piano retains a constant presence, the clarinet and viola rarely play together. More often they're like an old married couple, completing each other's thoughts. No. 2 in B minor is a brief Allegro con moto with a quietly roiling piano undercurrent; this dark, restless piece would have been at home in any of Brahms ' chamber or piano works from the 1890s. No. 3 in C minor, Andante con moto, is the suite's most extended movement. It's a study in contrast between the rhapsodic, recitative-like material for viola and the introverted lyricism of the clarinet. Each of those instruments enjoys a very long passage to itself with piano accompaniment (actually the viola gets two), but the full ensemble comes together in the last quarter of the piece, which is dominated by the clarinet's material. No. 4, Allegro agitato, packs a bit of D minor humor into its mere three minutes; the instruments' occasional self-mocking trills imply that the music's agitation isn't to be taken entirely seriously.
视频介绍： 布魯赫:八首為單簧管、中提琴及鋼琴所作的三重奏Op.83(No.1~ 4) Bruch : Trio 8 Pieces for Clarinet、 Viola and Piano Op.83(No.1~ 4) Clarinet: Daniel Radu Viola : Georgiana Nae Piano: Cristina Ionescu Description : Bruch was over 70 when he wrote these pieces; their autumnal nature isn't surprising, given the composer's age and the fact that his form of Romanticism was being displaced by more innovative techniques. Each of these items is a character piece, although they carry no titles more descriptive than tempo indications. All but the seventh are in minor keys, and are designed to draw the mellowest sound possible from the instruments. The set is framed by quiet pieces. No. 1 is an A minor Andante. Its tentative main theme is introduced by the piano, which then recedes to an accompanimental role while the Schumannesque melody is played in turn by the viola and clarinet. Although the piano retains a constant presence, the clarinet and viola rarely play together. More often they're like an old married couple, completing each other's thoughts. No. 2 in B minor is a brief Allegro con moto with a quietly roiling piano undercurrent; this dark, restless piece would have been at home in any of Brahms ' chamber or piano works from the 1890s. No. 3 in C minor, Andante con moto, is the suite's most extended movement. It's a study in contrast between the rhapsodic, recitative-like material for viola and the introverted lyricism of the clarinet. Each of those instruments enjoys a very long passage to itself with piano accompaniment (actually the viola gets two), but the full ensemble comes together in the last quarter of the piece, which is dominated by the clarinet's material. No. 4, Allegro agitato, packs a bit of D minor humor into its mere three minutes; the instruments' occasional self-mocking trills imply that the music's agitation isn't to be taken entirely seriously.
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